electropop
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Flamboyant is a distillment of what has made bubblegum bass so interesting over the past few years, as well as an apt commentary on gender politics.
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Clarity is a likable pop album that is carried by Kim Petras’ singing chops, though I’m hoping to hear her develop a bolder and more distinct sound going forward.
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1000 gecs contains the weirdest and wildest combinations of sounds I’ve heard this year.
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It’s a shame that the popularity and promotion behind Billie Eilish has poisoned the well a bit, as When We All Fall Asleep is actually an artful, well-crafted, and unique pop album.
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Weezer’s Black Album resumes the band’s nosedive.
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Sweetener is no longer Ariana Grande’s strongest album.
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Bring Me the Horizon’s blend of pop, electronics, and what remains of their metalcore edge is surprisingly admirable on amo.
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Muse’s foray into ’80s retro-futurism, while at times uninspired and gaudy even by the band’s standards, has resulted in their most palatable album this decade.
