Electronic
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“Mercy” is a collaborative track from two of contemporary underground electronic music’s most creative producers, Joy Orbison and Boddika. It’s not the first time they’ve put a track together, and I’m hoping it won’t be the last after getting exposed to the mutated bass and
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Gonjasufi drops a video for one of his latest tracks, “the Blame.” The song comes from his new mini-album, MU.ZZ.LE. It’s out now on Warp Records, and you can find a review of it here.
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On the third album to come from the Canadian synth pop project Grimes, the songs feel a little undercooked–however, I will this this project has a nice, clear sound and style. WATCH THE REVIEW
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A stream of the third Scuba album, Personality. The album is dropping this week via Hotflush, and strikes me as being much less ambient and spacious than the project’s last album, Triangulation. And that’s fine with me, because the rhythms on this album are pretty driving and engaging.
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I’m not single. I actually haven’t been single for around three years now. Still, this new beat from xxyyxx still brings out those “forever alone” feelings everybody’s had at one point or another. A beautiful and pitch-shifted vocal sample loops against a beat that’s interesting for
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New England noise artist Derek Piotr has a new record on the way in may titled Airing. The track streaming above, “Colossus,” is the first to drop from it. Derek’s music has a bit of a love-hate relationship with accessibility. His tracks consciously avoid melody and tone as if
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The elusive London-based electronica producer, Burial, drops a stellar set of new tracks on his latest EP. WATCH THE REVIEW
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On Portico Quartet’s third album, the London-based band creates an impressive mixture of sounds from jazz and electronica. WATCH THE REVIEW
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A remix of the debut single from up-and-coming house producer Gosteffects. Completely aware of its kitsch, this track dishes out one scoop after another of pulsating beats and innuendo-laced vocal samples. This remix actually alters the mood of the original a bit, too; keeping the emphasis on playful synths and
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Tincture is an Australia-based producer whose discography is a little limited right now, but this track was just too good not to share. On “You’ll Learn,” Tincture actually uses Usher’s “Burn” as source material for its nimble vocals. The choppy dubstep groove is fantastic as well. This guy
