Electronic
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One of this year’s biggest bangers gets some pretty cool visuals thanks for director Nabil. Not much else to say other than I hope this successful single leads to more collaborations from Baauer and Just Blaze in the future. Check a review for “Harlem Shake” here.
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「IROIRO」 by FOODMAN Back in March, I told you to meet Foodman, and now he’s got a new full-length out I’d love for you to hear. As usual, the guy keeps his tracks pretty short, landing under two minutes much of the time; however, that doesn’t prevent
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Neon-colored and computer-generated visuals get tagged onto the fantastic Machinedrum single that was dropped ” target=”_blank”>back in June. Get an eyeful above, grab the single here, and look out for Machinedrum’s next album in September.
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The experimental stylings of New York producer Arca comes through on this new art pop single from UK singer FKA Twigs. Enjoy!
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[audio:http://digital.fofmusic.net.s3.amazonaws.com/mp3/FTR_Adore.mp3] Santa Ana producer and restauranteur Chris Alfaro is about to drop a new full-length this month under his Free The Robots monicker–on the 19th, actually–and “Adore” is one of the fourteen tracks on it. The Balance
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Yeah, I may be much crazier about Factory Floors previously released single, “Fall Back,” but “Turn it Up” is still captivating with it’s relentless grooves, stark minimalism, and odd vocalizations. The band’s new, self-titled album will be dropping on September 10th via DFA.
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With Slow Focus, Fuck Buttons delivers more interesting electronic sounds and grooves, but continues to neglect the pursuit of interesting melodies and progressions. WATCH THE REVIEW
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West Coast producer Lee Bannon is getting more and more creative and versatile by the minute. He’s constantly creating, and thinks almost nothing of just suddenly dropping a track like “InMySleep,” which combines his recent obsession with breakbeat-like grooves with some jutting bass notes and an odd chord progression.
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Electronic dance duo, Blondes, hailing from New York bring some funky grooves that make you want to dance like you’re on the opening intro to some 90s sitcom. That is partly has to due to with the music as well as the visuals which bring patterns that belong on
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Even though I’m not completely in love with the new James Holden album, I am impressed by the simultaneously primeval and futuristic vibe he’s been able to evoke on most of the tracks here. WATCH THE REVIEW
