Electronic
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English electronic music producer Christopher Clark just released his latest full-length on Warp Records this month. It’s self-titled. Of the songs I’ve heard thus far, I’m finding it much more experimental and intriguing than his last album, Iradelphic, and “The Grit In The Pearl” is moment that
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If there’s a way to hold attention, it’s to hint at a payoff that never arrives. The Bug’s trap-dub influenced beat swells quite a few times throughout the, but the song dissolves into a formless chorus before any kind of release is ever achieved. Miss Red’s
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Festival Of The Dead by CUT HANDS As is the case with most African rhythmic music, it usually serves some sort of spiritual purpose, the ritualistic quality of many different beats and melodies designed to inspire, enlighten and heal–such as the one-two rhythm of the Rastafarians, mimicking the heartbeat,
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https://soundcloud.com/primaryinformation/co-la-bb-burn Baltimore-based electronic musician Matthew Papich (a.k.a. Co La) is back with a new album that delivers more of the complex beats and disorienting samples that have intrigued us in his past work. Hegemony of Delete‘s six tracks offer subtle, digressive, and glitchy
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Dark Pool by BLACK RAIN A tense and frightening fusion of electronic music and dark ambient coming together here on this Black Rain album, which recently dropped via Blackest Ever Black. Give it a listen via the embed above, and enjoy! From what I understand, physical copies are currently sold
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No, you won’t hear any of the music off Joseph Marinetti’s new PDA EP on any under armor commercials–unless they start to sell pink leggings and lip gloss. That doesn’t mean the EP doesn’t pay direct homage to mainstream house music and TNGHT’s now-legendary
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Liars released their single “I’m No Gold” on November 4th, a song that was originally featured on their innovative LP from March titled Mess. The single will be accompanied by 2 b-sides and 3 remixes as well. Mess’s dark, electronic, and extremely heavy dance jams turned more than
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After the success of his Alternate/Endings full-length earlier this year, I think it’s safe to say music fans and critics alike have accepted Lee Bannon‘s sudden transition into the world of drum ‘n’ bass. The West Coast producer is now backing that move up with a new
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Venezuelan producer Alejandra Ghersi, a.k.a. Arca, has been having a great couple of years. Back in 2013, she was a featured co-producer on Kanye’s last record, and her gorgeous production on the new FKA twigs album is too stellar for words. With all this newly acquired buzz,
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https://www.youtube.com/watch?v=0XDhz5kanYk First off, be sure to heed that NSFW label up there: this will almost certainly be the most disturbing music video you’ll see all year. For You’re Dead! cut “Ready Err Not,” Flying Lotus enlisted the talents of Salad Fingers creator
