electroacoustic
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Astounding in sound and narrative. The Great Bailout by Moor Mother
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Telas sounds like a collection of glitchy and electroacoustic leftovers—which, granted, mostly sound good—glued into quasi-longform pieces.
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Nicolas Jaar’s second album of 2020 is an evocative set of electroacoustic vignettes.
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Even after 25 years, Matmos is creating some of the most fun and inventive electronic music you’ll hear in your life.
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Among Tim Hecker’s least direct efforts, Konoyo at its best is sonically and conceptually rich thanks to contributions from gagaku ensemble Tokyo Gakuso. Unfortunately, the sound-play is lacking on a few of the pieces.
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William Basinski returns with one of his most accessible and compositionally satisfying sets of drones yet.
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The lead single from On Dark Silent Off, the new album by Austrian experimental rock outfit Radian, out November 11 via Thrill Jockey.
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An excerpt from Contenance, the new album by Mexican electroacoustic artist Enrique R. Palma, out tomorrow via Organized Music from Thessaloniki.
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A glimpse of Blue-Lit Half Breath, an upcoming LP for Penultimate Press by Melbourne sound poet Matthew P. Hopkins.
