east coast
-
Despite some questionable guest spots and stylistic detours, Pop Smoke’s commercial debut showcases much of what made him such a unique voice in modern hip hop.
-
While Descendants of Cain doesn’t have the consistent mythos of Orpheus vs. the Sirens and is at times typical for Ka, his pen game and delivery are as sharp as ever.
-
Pray for Paris does Westside Gunn’s established style well for the most part, but isn’t likely to convert many nonbelievers.
-
City as School lacks the focus of Uncommon Nasa’s past handful of records.
-
Griselda’s Shady debut was worth the hype if only for the collective’s unquestionable chemistry.
-
Westside Gunn’s grimy vibe remains the best thing going for him, while songwriting remains his Achilles heel.
-
Despite arriving nearly a decade after Guru’s passing, One of the Best Yet stays true to Gang Starr’s style and philosophy.
-
Terror Management‘s often humdrum production and lack of development makes it one of Billy Woods’ least gratifying works. It’s still a cut above many rappers’ best, though.
-
Benny is no doubt a capable rapper and lyricist, but he tends to be overshadowed by the guests on this new EP.
-
Your Old Droog dates himself more than ever on It Wasn’t Even Close, but that continues to be much of his music’s charm.
