dubstep
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Not completely sure how I feel about this London-based musician and his debut album as of this moment, but some of the production is pretty nice. The vocals even remind me of James Blake a bit as well, and some of the beats are so fresh. SNAP! Look for this
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OK, so I found out about this EP on the Wedidit Collective site while I was on there looking up some stuff about Zeroh. Of course, every time I go on there, I find something nice to munch on. So, for your musical pleasure, I submit Squeaky Lobster. From hip
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Rumpistol is Danish electronic music producer Jens B. Christiansen, and after releasing three albums since ’02, we’ve got a new EP from this guy: Talk To You. I don’t feel afraid in saying we’re dealing with some minimal electronics of a high caliber here. The music on
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On hit latest release, Amon Tobin isn’t building songs as much as he is sounds. The textures on most of this album are absolutely amazing, and among the best this Brazilian electronica producer has ever created. I love how abstract, adventurous, and mind-bending the first two thirds of this
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On his debut full-length, Outmind, Matthewdavid flips through his sketchbook of ambient drones and blurred beats, picking out the best stuff he’s got to offer so far. While he does pull some fantastic sounds together, and issue I find myself running into is the brevity of some of these
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Never See Me by Beat Culture On Beat Culture’s Facebook fan page, it says this project is basically “just some guy making songz.” It’s a modest calling, but an honorable one. I was suggested this young producer the the Up-Turn, and I’d like to thank them for
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Download a track from the forthcoming Amon Tobin album, ISAM. It’ll be out physically May 23rd via Ninja Tune.
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On this new single, UK electronic artist Jamie Woon wanders solemnly, carrying a style of dubstep with him that isn’t unlike Burial’s–in fact, Burial co-produced this track, so there ya go. And while this style of music is known for its minimal, cleanly sound, this sounds just
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New remix of Panda Bear’s “You Can Count On Me” from the Get. I didn’t love Tomboy, but am I allowed to love this remix?
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On “Divinus,” Desolate words the sonic manifesto for his debut album, the Invisible Insurrection. The reserved vocal samples and repetitious rhythms may not sound like much, but this project emphasizes atmosphere than it does song. Maybe it’s a little to structured for me to go full “ambient” on it,
