drone
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I’m just not enjoying this like I have Jesu’s past work. I’m sad. WATCH THE REVIEW
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When I reviewed L.A. beat producer Matthewdavid’s Outmind, one of my issues with the release was that its best moments didn’t last very long. Some of the lightly etched drones and rhythms on that LP seem to peter out a little too quickly for me to grab
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This Will Destroy You’s latest LP starts and finishes with flying colors, but it gets a little underwhelming in the middle for me. Hearing the band revisit old sounds, work with an odd drum mix, and working with similar structures throughout this album make me rethink my original love
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New track from Woodsman, which comes from their side of a brand new tour split they’ve released with Tjutjuna. Hear the drone. Feel the drone. Be the drone. Grab this release at the tour dates listed in this tumblr post via Fire Talk Records.
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It’s been five years since New Orleans’ Belong released their full-length debut via Carpark Records. Common Era is the new album, and Kranky is the new label. In regards to the song above, “A Walk,” I want to say this music feels like an eternity–but I mean that
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MP3 A remix of Grouper’s “Alien Oberver” by Teen Daze. Enjoy! And look for Grouper’s latest set of albums, A I A, this month. Hear the original version of this track at P4K.
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Tim Hecker’s latest album is a barren wasteland of forgotten sounds. It’s music you can truly wander through. Some tracks do feel a little short of breath, sadly, but there are many more standouts here than there are duds. It’s another strong piece of material in the
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Six Organs of Admittance, a.k.a. guitarist and songwriter Ben Chasny, exists at a unique stylistic crossroads where acoustic folk and indie psych merge. After 2009’s sonically dense Luminous Night, Chasny has come back to a very comfortable, albeit creative place. Asleep On The Floodplain, his latest LP
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Earth’s first installment of Angels of Darkness, Demons of light is a hefty dose of the same medicine they’ve been feeding us since Hex in ’05. When it comes to concocting musical sedatives, Earth’s receptive is still pretty potent; however, I’m having trouble calling this LP
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