domino
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With Tranquility Base Hotel + Casino, Arctic Monkeys aim for an admirably weird space-age lounge sound, but often the execution leaves something to be desired.
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Singularity successfully reaches for the stars for a good part of its runtime.
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Though it could be more consistent and substantial, this debut album from Superorganism will probably go down as one of the year’s most creative pop projects.
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Loaded with poetic post-punk dirges, Protomartyr’s Relatives in Descent is the Detroit band’s most dynamic and well-written release yet.
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Richard Dawson’s sprawling and rustic tunes bring back a sense of olde English folklore and mysticism that isn’t often heard in contemporary music.
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With Rocket, Philly singer-songwriter Alex G delivers an album that’s a bit more adventurous than his previous effort, but also a lot more inconsistent.
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While In Mind is Real Estate’s best-sounding album yet, the band still fails to provide anything beyond the surface of their blissful sound.
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Dirty Projectors return with an entirely revamped sound.
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This past week, Animal Collective released The Painters, an EP of four tracks recorded during the sessions of their latest album Painting With (review). You can hear the opening track above; to our ears it’s a lot more stimulating than a lot of the material that made it onto
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The upcoming self-titled album under the Dirty Projectors name finds the act re-becoming a solo outlet for frontman David Longstreth. “Up in Hudson” is easily the most sonically and structurally compelling single to drop from the project so far, and its lyrics display an unprecedented candidness from Longstreth as he
