discussion
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High On Fire returns with an abrasive set of songs, and a crushing new sound thanks to producer Kurt Ballou. WATCH THE REVIEW
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On his new self-titled album, ex-Books member Nick Zammuto takes his penchant for playful experimentation to a full band setting. WATCH THE REVIEW
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Gorillaz, James Murphy, and Andre 3000 go above and beyond in this 13-minute pop, rock, hip hop, and electronic epic. WATCH THE REVIEW
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Though the second installment of Angels of Darkness, Demons of light fixes some of the issues I had with the first, I can’t seem to shake this incredibly strong feeling of musical deja vu. WATCH THE REVIEW
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of Montreal’s latest album marks a slight change in sound for the Georgia psych pop band, incorporating more arranged instrumentation for a pretty classy effect. WATCH THE REVIEW
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On his debut album, Spanish electronic music producer creates one hypnotic groove after another, incorporating different sounds and ideas with each track. WATCH THE REVIEW
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Cloud Nothings’ latest album is a lean and muscular improvement on the lo-fi sound the band used to deal in just a year ago. WATCH THE REVIEW
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Guided by Voices’ first release release since they’re reunited tries to recapture the sounds and style of the group’s more acclaimed records. Mixed results ensue. WATCH THE REVIEW
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Continuing my review of my favorite albums ever this week with a look at Wu-Tang Clan’s debut album, Enter the Wu-Tang: 36 Chambers. WATCH THE REVIEW
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On John Vanderslices’ latest album, the singer-songwriter works with California’s Magik*Magik Orchestra to bring a new level of intricacy to his music. Nearly every song here is lavishly decorated with brass, woodwinds, and strings, but the live recording style keeps the music from feeling static or confined. Some
