dancehall
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When you inevitably hear Khaled Khaled at the barbershop or blaring from a passing car, some of it won’t be so bad.
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On his debut album, Lil Tecca does little to distinguish himself from the current crop of formulaic melo-trap artists.
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Tory Lanez is so similar to his contemporaries that it’s hard to see the point of Memories Don’t Die‘s existence.
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Colombian supergroup Ondatrópica continues to fuse genres from across South America on their sophomore album.
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Drake achieves auditory indifference with his new “playlist.”
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Travis Scott returns with what sounds like an album of microwaved leftovers from his breakout record last year, Rodeo.
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OVO’s PartyNextDoor returns with some slight improvements on his spacey R&B sound.
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Canada’s own Drake returns with his most drab commercial release yet.
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If there’s a way to hold attention, it’s to hint at a payoff that never arrives. The Bug’s trap-dub influenced beat swells quite a few times throughout the, but the song dissolves into a formless chorus before any kind of release is ever achieved. Miss Red’s
