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Pedro the Lion’s David Bazan is invited to sing over the instrumental for the Deerhoof track “No One Asked to Dance,” reworking it into a slightly different version. The original track comes from Deerhoof vs. Evil.
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Stream: High On Fire- De Vermis Mysteriis The new High On Fire album won’t officially be out until next week, but you can experience the heavy, crushing guitars and Matt Pike’s relentless vocals right now through the NPR Music stream linked above. Enjoy responsibly. More volume, more results.
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A new Death Grips track, “Lost Boys.” It’s gonna be on the experimental hip hop outfit’s forthcoming album, the Money Store, which is looking at an April 24th release on Epic. Head over to Prefix to check out the albums very NSFW artwork, and look below for the
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A touch of electronic soul coming through on this new Gang Colours track, “Fancy Restaurant.” Though it’s not exactly dubstep, future garage, post-dubstep, or whatever you wanna call it, the vocals and chilly synths remind me quite a bit of James Blake. I suppose there’s something for Beach
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It’s been a while since something of this style really hit me, and I’m not sure if the project that created this song, nihiti, will do something like this again anytime soon. The reason being other tracks on this group’s SoundCloud are much more acoustic by comparison.
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How often does something like this happen? The track streaming above is basically Wilco’s Jeff Tweedy singing over the instrumental to the Deerhoof track “Behold a Marvel in the Darkness,” which comes from Deerhoof’s latest album, Deerhoof vs. Evil. Now all we need is to get Satomi over
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BADBADNOTGOOD covers the instrumental from A$AP Rocky‘s “Peso” in this live performance at the Drake. Enjoy!
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Destroyer has recently covered the track “Leave Me Alone” for the Mojo New Order covers album of Power, Corruption & Lies. Destroyer’s take on this song plays it a little safe, adding some distortion and slightly altered vocal delivery. It’s a pretty faithful adaptation; however, I am looking
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I think Trent Reznor has found his true calling in movie scores starting with the excellent The Social Network soundtrack. Thenew Girl with the Dragon Tattoo soundtrack it likely to be equally as great. Reznor and Karen O released this cover from the soundtrack, which has to be one of
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Brainfeeder artist Lapalux remixes fellow Brainfeeder artist Thundercat on the track “For Love I Come,” which was originally written by George Duke. Yeah, a lotta conversions going on here. The ‘Cat version was already pretty spacey and open, but this remix brings it to an extreme that’s pretty refreshing.
