baroque pop
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Hearts Aglow alternates between being absolutely stunning, and pleasant while it’s on. And In The Darkness, Hearts Aglow by Weyes Blood
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Alex Turner’s vocal performances are the biggest thing holding The Car back.
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Weyes Blood comes through with an immaculately produced and performed baroque pop album in Titanic Rising.
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While Lust for Life might be Lana Del Rey’s weakest attempt at reconciling her old school and new school influences, it’s also the first time I’ve come away from one of her albums with more highlights than lowlights.
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4 years after Beach Fossils’ great sophomore album Clash the Truth, the Brooklyn band has returned with their most lavish effort yet. I can still commend the band for not shamelessly trend-chasing like many of their dreamy, jangly contemporaries, but unfortunately the pastiche of ’60s pop sounds they serve up
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Foxygen contributes a song inspired by ’70s TV show themes to Amazon’s upcoming American Girl special. As should be expected from the duo, notwithstanding Star Power, “Be Yourself” offers a bit of lavish psych pop and the best kind of nostalgia trip.
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Shape-shifting singer-songwriters Sam France and Jonathan Rado make a triumphant return as Foxygen to deliver their most lavishly orchestrated set of songs yet.
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Joanna Newsom commemorates the first anniversary of her fantastic 2015 album Divers by sharing a rare outtake that is pretty much of the same quality as most of the material that made the cut.
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Another lovely piece of baroque pop from Weyes Blood‘s new album Front Row Seat to Earth, which drops October 21 via Mexican Summer.
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A prog pop odyssey from Weyes Blood‘s forthcoming record Front Row Seat to Earth, out October 21 via Mexican Summer.
