1. Baths- (Heart) (Daedelus Remix) 2. Chemical Brothers- Swoon (Boys Noise Remix) 3. Lykke Li- Little Bit (Gigamesh Remix) 4. Talking Heads- Road to Nowhere (Covered by Coolrunnings) 5. The Drums- Let’s Go Surfing (Raveonettes Remix) –
Meet San Diego music producer Room E. This project runs like a musical chop shop, melding numerous ideas together into a blissful, sunny piece of magic. “Glasses Girl” moves with a heavy-footed hip hop beat, but the synths sliding over it speak a different language. The synth bass sounds like
I’m going to go out on a limb and guess this video took a long time to make. It’s the official vid for “Repeatedly,” which is a new track from Japanese electronic musician Ametsub. His tracks are spiced with lot of minimalist flavors and moments of extreme glitch.
If the fuzzed, tinny taste of lo-fi feels good on your tongue, then Lost Boy should be the next thing to soundtrack your summer. This video for “Graves” was directed by MJJ Jr., and you can get more info at lofihigh.com. Was this lo-fi enough for you? Does Lost
New video of eerie nostalgia and wedding footage from the ever-popular Ariel Pink’s Haunted Graffiti. Well, maybe the footage isn’t so stock. Looks like Ariel there @ 1:11, after all. Ariel Pink’s latest album is Before Today, and find it via 4AD recs. MP3: Ariel Pink’s
MP3s: The Books- A Cold Freezin’ Night The Books- Beautiful People What did you think of this album? Did you love it? Did you hate it? Why? Was it too electronic? Too acoustic? Too awesome? Would you have liked more vocal samples? Less? TND TIP: LISTEN TO MORE BOOKS, DUH.
If you’re into experimental music’s louder side, the work of Justin K. Broadrick is a must. With Napalm Death, Jesu, and Godflesh, the guy has built up a lot of cred. This August via Ghostly, he’s letting us in on some b-sides under the name “Pale Sketcher.
1. Screaming Females- I Don’t Mind It Jersey’s “Scremales,” whether you like ’em or not, have hammered out a distinct niche in the world of rock. Strong female vocals, wailing guitars, and post-punk sensibilities make their songs rough and immediate. This track is from their forthcoming album Castle
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