• An interview with Mr. Nicholas Jaar, which was shot by the good people at the Drone. Watch a review for his LOVE LISTED Space Is Only Noise album right here.

  • je s u s ▲ by b I don’t know what’s holding up this dude’s next full-length album, NoYork!, but L.A.’s Blu–who I just “B” on this tape–has dropped a new mixtape of  tracks featuring production from Madlib, Alchemist, and more. The album seems

  • This Will Destroy You’s latest LP starts and finishes with flying colors, but it gets a little underwhelming in the middle for me. Hearing the band revisit old sounds, work with an odd drum mix, and working with similar structures throughout this album make me rethink my original love

  • Download: Fergus & Geronimo Daytrotter Session When Fergus & Geronimo dropped their debut LP earlier this year, it was a reason to let out a sign of relief. It was nice to start off the year with a band who didn’t take themselves so seriously. F&G have

  • dreamy

    The Bluest Water I’d Ever Seen by Teen Daze Ever since Canada’s Teen Daze dropped its debut LP, My Bedroom Floor, the project has gone in different directions; embracing every flavor of dreamy electronic pop that it possibly could. The project’s latest single, “The Bluest Water I’

  • live

    A live session of tUnE-yArDs performing “You Yes You,” which was shot by the good people at yourstru.ly. Before the song, frontwoman Merrill Garbus even goes into detail on the origins of the title w h o k i l l, and even talks about the album’s confrontational

  • Timber Timbre drops a video for Creep On Creepin’ On‘s “Black Water,” which just might be one of the creepiest albums of 2011. The video as directed by “Exploding Motor Car,” and I thought everything in this video was an awesome, underwater sea urchin until I realized they’re

  • A new, creepy video from Death Grips for the song “Takyon (Death Yon).” This track comes from the project’s new LP, Exmilitary. Listen to it here, and watch a review here.

  • On their sophomore album, Australia’s the UV Race brings garage rock to a dirtier and grimier level than most. The band’s loose song structures and loose playing bring a lot of, well, “character” to these recordings. There are flubbed notes everywhere, and it’s all for the sake