Some interesting visuals from Nicolas Jaar and guitarist Dave Harrington, a.k.a. Darkside, on the track “A1,” which comes from the duo’s recent collaborative EP.
A catchy, fun, and lo-fi garage pop gem from the new YRRS 7″, which is set for release via Keep It Yours on June 25th. The video itself is a smattering of clips from the Larry Clark film Another day in paradise. Ooo, James Woods!
Bristol producer Stumbleine is gearing up to release a compilation titled Ghosting, which will feature tracks from three EPs he’s created over the past two years. The blue 12″ is set for release via Hija De Colombia on the 22nd of June, and it’s streamable via the widget
On their latest album, Maryland band Dope Body blends the sounds of hardcore punk, funk, noise, hard rock, and sludge metal. Then they turn it into a party. WATCH THE REVIEW
On this album-length collaboration, MC Killer Mike and producer El-P manage to complement one another perfectly any major changes in their respective approaches to hip hop. WATCH THE REVIEW
Though I’m not really a big fan of this new Manson record, I can’t help but get nostalgic over his past albums, because I used to be such a huge fan of them. Eh, maybe I still am to a degree. WATCH THE REVIEW
Big K.R.I.T. releases another track from his forthcoming Def Jam debut, Live From the Underground. The album is set for a June 5th release, and what’s dropped from it so far has been stellar. The dude is really keeping the Southern sounds of hip hop tasteful,
Karen Dalton is a folk and blues artist from the late 60’s and early 70’s. She was born in Enid, Oklahoma July 19, 1937 and passed away March 19, 1993 at the age of 55. She led what was described by the people around her as a troubled
Here’s the description of the collaborative review straight from Dead End Hip Hop: “More Needledrop? Why not. Needledrop and DEHH link up to review Mac Miller’s last project Macadelic. Mac Miller dropped this project a earlier this year for his fans as an appreciation for making Blue Slide
A combination of slick, progressive synths and rock instrumentation on this new Infinity Shred EP. I first heard the band though a recommendation by Anamanaguchi, and I’m happy to hear some similarities–especially on the track “Wayfinder,” which has some spacey, 8-bit melodies. Stream this new EP in its
