• Some atmospheric and spacious acid house coming through on this new Recondite track, “Tie In.” It’s a song from the German producer’s latest album, On Acid, which takes a somewhat fresh and subversive approach to producing acid house. While “Tie In” does contain the genre’s trademarks–repetitive

  • 2012

    A video from the increasingly popular parody rapper Krispy Kreme. Yeah, there’s been a lotta joke rap in the past, but what makes Krispy Kreme so interesting is that he blurs the lines between making legitimate modern hip hop and and a straight up joke. I’m not sure

  • On his first major label effort, Big K.R.I.T. tricks out his trademark Southern hip hop sound with an abundance of horns, strings, piano, and guest singers. WATCH THE REVIEW

  • 2012

    Micachu & The Shapes drop a new track from the experimental music outfit’s forthcoming album, Never. The song “OK” features vocals and a weird, winding synth melody that feel like they could have come from the heyday of psychedelic pop in the 60s; however, there’s a modern noisiness

  • 2012

    Matthew Dear pulls together yet another moody dance tune with the first single to drop from his forthcoming album, Beams. “Her Fantasy” brings a sweet beat, bubbling arpeggios, and Matthew’s unsettling dead pan vocal. Look for this new album on August 27th via Ghostly International.

  • album

    A track from the new pay-whatever-you’d-like-to-own Iguanadon album, Thunder Village. It’s titled “Dream Melter,” and what really grabbed by attention about the track is how its beat is edited with some abrupt stutters from time to time. The tempo even fluctuates a bit, adding some interesting detail. The

  • This is a terrific video for the track “I’m Sorry We Lied” by Blood Orange, which is one of the catchier tracks from the project’s debut album, Costal Grooves. The song itself is nice, with post-punk drums staying throughout the entire song, giving it a very distinct pulse.

  • bass

    This is a nostalgic track done right. Everything about this song is oozing with flashbacks to another time, but the faded memory of that time. Even though that memory is old and faded it can still be remembered with a golden hue that makes it feel timeless and makes you

  • 2012

    With some laid -ack drumming, airy synths, a Metronomy sample, and falsetto vocals, “The Gold is Mine” is begging to be your windows-down, summer rap jam. To me, Odisee walks a nice line here between having a message, and coming across preachy. The songs hook could be a little stronger,

  • 2012

    It isn’t particularly easy to categorize the music of alt-J, a quartet that has origins in Leeds, England. I could apply a phrase like “indie rock,” but the band’s combination of folk-indebted guitar work, expansive instrumentation, and lead singer Joe Newman’s distinctive vocal delivery, makes such a