With some strange loops and atmospheric vocals, this new Atoms For Peace single has me more psyched than ever to hear the band’s upcoming release, Amok, which I already said I was looking forward to in this video. Not only is there a solid chord progression here, but I’
An insanely long and strange set of visuals from Death Grips here on this out-there video for “Come Up and Get Me,” which comes off the experimental hip hop trio’s latest full-length, NO LOVE DEEP WEB. Unfortunately, due to complications with their label, the album no longer seems to
Hit play on the widget above, and you’ll be hearing the latest full-length effort from Connecticut-based singer-songwriter Daphne Lee Martin. I was featured with Daphne on an episode of Where We Live recently, and that’s how I caught on to her latest release, and lemme tell you it’
A track from the forthcoming Mister Lies album, Mowgli, which is looking at a February 26th release date on Lesfe Records. “Align” features a driving beat wrapped in some scattered synthetic tones that I like a lot. He eventually lights it all ablaze with some atmospheric vocal cuts and a
A music video from multi-instrumentalist and songwriter Kiran Leonard. The tune comes from the newly remixed and mastered version of his Bowler Hat Soup album. Give a full listen to the album here.
things that happen at day by Milo Stream this new Milo EP–and its more nocturnal brother–via Bandcamp. I just reviewed both of ’em here. Some really enjoyable, well-produced, and personal hip hop here.
On his new set of EPs, Wisconsin rapper Rory Ferreira, a.k.a. Milo, changes his instrumental game, rapping over some pretty spacious, atmospheric beats. On top of that, he’s strengthened his usual barrage of obtuse personal musings; bringing their emotional potency higher than ever. WATCH THE REVIEW
CLASSICS WEEK: Though Miles Davis didn’t invent jazz fusion, he did manage to come together with one of the best albums in the genre with Bitches Brew, inviting on some of the greatest minds in the style into the studio to perform in some fiery and amazingly layered sessions.
CLASSICS WEEK: My Bloody Valentine’s Loveless. Even 20 years after its initial release, this album still thrives as one of the strangest auditory experiences in rock and pop. Kevin Shields and company truly came together with a sonically surreal album here that still has modern experimentalists intrigued. WATCH THE
CLASSICS WEEK: Decades after its release, In the Court of the Crimson King still stands tall as one of the greatest and most relevant progressive rock albums ever. WATCH THE REVIEW
