Nocando, Busdriver, and milo are still repping Hellfyer, hopping on a track that looks like it’ll be appearing on a compilation formed by the alternative hip hop label in November. It’s not a bad cut either, and kicks off with milo spitting with a flow that reminds me
Some psychedelic animations are attached to this new Cocaine Richards cut, “Lotusball,” which combines some trippy samples with slow-moving, droning synths. The spacious hip hop beat adds a pretty nice groove to the mixture as well. Enjoy!
Blood Tears by SISU California rock outfit SISU combines elements of shoegaze, dream pop, and gothic rock into a tight, catchy series of tracks on the album Blood Tears, which you can grab now via Bandcamp. The song “Return The Favor” has one of the most driving bass lines on
Scottish alt-hip hop trio Young Fathers have left me pretty impressed with their creative lo-fi fusions of rap, African music, reggae, and more on the two “tapes” they’ve dropped thus far, but I’ve always thought there was more potential in what the group was offering–especially if the
Eminem’s major singles leading up to the release of the sequel to the Marshall Mathers LP have underwhelmed me a bit, honestly.
Canadian music producer Tim Hecker returns with a stunning collection of tracks that make for some of the most beautiful music I’ve heard this year.
Scottish synth pop trio CHVRCHES might have some really hot singles, but the rest of their debut album is a little hit or miss for me.
While the third installment of Oranssi Pazuzu’s psychedelic approach to black metal isn’t bad, the band doesn’t venture into territory any more exciting than what they delivered on their debut album–even though some of the band’s longest material yet sits on this new LP.
After a short studio album hiatus, Japan’s Melt-Banana is back with their most exciting, dynamic, joyous, and detailed album to date. I actually think it’s their best!
As Fuzz, Ty Segall and Charlie Moothart bring the incredibly high level of distortion and energy you’d expect from a Ty-affiliated album. However, there are a slew of different factors keeping this record from sticking out in Ty’s ever-growing discography: production, songwriting, vocals. All of these things keep
