This passionate, smooth little piece of indie rock comes courtesy of Future Islands. Their new single “A Dream of You and Me” has a really appealing sensitivity to it, especially in the lead vocal’s just-on-the-brink-of-quavering sincerity. The bright guitar, bass, and keyboard tones add a playful element to the
Lykke Li’s sophomore record might have been somewhat infamously spurned here at TND, but we are pretty stoked for her new one! Li has just announced her third LP, I Never Learn, and has released this gorgeous, heartbreaking video for album track “Love Me Like I’m Not Made
Chicago metal outfit Lord Mantis is about to drop their third full-length on April 29th via Profound Lore, and this new track of theirs sets quite a tone. I first heard of this band a year or so ago when they dropped Pervertor, which was a pretty intense set of
Stream the new Black Lips album if ya know what’s good for ya! The band seems to live up to grimy and catchy expectations with this new set of tracks, which will be out officially on the 18th of this month. Enjoy!
Austere and cold and knotty. These are some words I would use to describe the second track to drop from the new White Hinterland record, Baby. This title track is dramatic, playing with multiple layers of Casey Dienel’s voice (some of which are under some sort of robotic effect)
A sharp, percussive, repetitive beat and a more-intense-than-usual string progression rule the proceedings on this new Owen Pallett track, taken from his upcoming record In Conflict. The whole thing has much more urgency than a song of his has had in years (“Many Lives -> 49 MP” or the
Some insane melodies and guitar tones coming through this new Thantifaxath track titled “The Bright White Light At the End of the Tunnel,” which is from the band’s forthcoming album Sacred White Noise. It’s dropping this April on Dark Descent. Man, this freakin’ track is just six minutes
Evian Christ’s typically dark, moody production sounds like it’s been infused with power electronics or industrial on this new track titled “Waterfall.” The massive drops of bass sound fantastic against the really eerie, atmospheric synth leads playing throughout this track. He progressively builds the track into this mountain
St. Vincent’s latest full-length is her most experimental yet!
Schoolboy Q might not be an amazing lyricist, and his new album might have a handful of filler hooks, but Oxymoron also shows him riding a variety of beats with an impressive level of precision. Not only that, but a number of tracks here bring back the grit and vulgarity
