The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
Daniel Avery’s latest effort dives headfirst into the depths of ambient techno, but comes up relatively empty-handed.
Despite being a stylistically mixed bag, Kimbra’s latest album features some of the best art pop you’ll hear this year.
The two-disc Scars of Man finds Panopticon separating the black metal and American folk elements of his music, rendering it generic.
Dirty Computer is Janelle Monáe’s poppiest album to date, as well as her most deeply sexual and political.
On his sophomore album, Post Malone carves out his own niche in the auto-croon field with quality trap production, strong vocal performances, and a bit of a singer-songwriter twist.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
Snail Mail is the indie rock solo project of Baltimore singer-songwriter Lindsey Jordan. Following the promising 6-song Habit EP from a few years back, Snail Mail has released two singles ahead of her upcoming debut album, Lush, which will be out June 8 via Matador. The newest is “Heat Wave,
Death in Haiti is the most intriguing and affecting field recording project I’ve heard in some time.
Electronic producer Girl Talk is best known for his mashup albums that came out in the second half of the 2000s. On Night Ripper, Feed the Animals, and All Day, he mixed classic pop and rock songs with the top hip hop and pop tunes of the day. Though the
