While it’s certainly pleasant and stands out in the current mainstream music landscape, Hozier’s latest EP doesn’t offer much that indie songwriters and folk artists haven’t done better in the past couple of decades.
Abstract hip hop fans ought to give budding ornithologists a shot, even if it isn’t one of Milo’s standout albums.
The all-American boyband makes its major label debut with an album that shows emotional and creative maturation despite occasionally gimmicky production and some members getting outshined by others.
Twisted Crystal is all the zany pop fun of GT Ultra, but set in space and on LSD.
And Nothing Hurt is one of the more low-key albums in the Spiritualized canon.
6LACK continues blending into the background of the alternative R&B field on his sophomore album.
Noname’s music has only gotten even more gorgeous and charming since her breakthrough mixtape Telefone.
Collapse is Richard D. James’s best release since the return of Aphex Twin.
Zoo‘s songs, with only a couple of exceptions, range from boring to awful and are further weighed down by Russ’s crummy mindset.
For as enjoyable as many of them are, Yves Tumor’s pop tunes and comparatively experimental soundscapes don’t really reinforce one another on Safe in the Hands of Love.
