Quiet Signs is a meager helping of Jessica Pratt’s pretty and subtly psychedelic style of folk songwriting.
10 years on from its initial release, Drake’s breakthrough mixtape remains a mixed bag, albeit a somewhat groundbreaking one.
Xiu Xiu delivers what might be its most adventurous and harrowing album to date… which is saying a lot.
While much of your enjoyment of Electric Lady Sessions will depend on your enjoyment of American Dream, that material does benefit from the more in-the-moment sound here.
Panda Bear’s latest solo outing sees his psychedelic brand of surreal folk submerged under an ocean of cascading delays and nautical vibes.
Sweetener is no longer Ariana Grande’s strongest album.
And below you can find Anthony’s thoughts on the Best Rock Album category, which proved to be particularly controversial.
Bawskee 2 sounds like something a South Florida rapper would’ve uploaded to Soundcloud two years ago.
Maggie Rogers’ debut studio album doesn’t have much in the way of memorable songwriting or a distinctive voice.
Gallipoli lacks the romance and wonder that made Beirut great in the first place.
