Juice WRLD’s brand of emo-infused trap can be great in small doses, but has amounted to a spotty full-length debut.
Ye paints a vivid picture of Kanye’s current state of self and, for as brief as it is, succeeds as an intimate exploration of family and mental health.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
Zephyr isn’t a particularly cutting edge pop and R&B album, but with all the classy instrumentation, impassioned singing, and thoughtful writing, NIKI has a lot going for her right out of the gate.
Testing contains some interesting ideas here and there, but they aren’t performed or organized all that well a great deal of the time.
Though Tear has its consistency issues and its concept is sacrificed for the sake of having something for everybody, BTS is making ambitious and passionately performed pop music that puts many of their Western contemporaries to shame.
Drake’s “Duppy Freestyle” seemed like a savage response to Pusha T’s diss on “Infrared.” However, Pusha’s response, “The Story of Adidon,” changes the playing field and makes it look like “Infrared” was setting the bait rather than poking the bear. The first shock that comes with “Story
The pieces on Park Jiha’s Communion are lovely individually, but overall, the blend of sounds could have been a bit more consistent and more attention could have been paid to the album’s flow.
At seven tracks and just over 21 minutes, the Kanye West-helmed DAYTONA is pretty much watertight and finds Pusha T in top form.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
