Snail Mail’s debut album is a pretty plain indie rock affair, though Lindsey Jordan’s potential as a singer-songwriter is apparent.
Haru Nemuri’s debut album pushes J-pop/rap in an exciting direction by channeling Japan’s rich history of underground rock music.
Rife with post-rock cliches, Deafheaven’s fourth album contains the band’s least inspired genre-blending to date.
serpentwithfeet’s debut album adeptly presents love in a simultaneously sweet and unsettling light, only occasionally being held back by some uneventful instrumentals.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
Florence + The Machine exercise a bit more restraint than usual on High as Hope.
Anthony’s top 15 albums of 2018 so far—in no particular order.
Zeal & Ardor’s unique blend of black metal and slave spirituals comes together in an exciting and blasphemous display on Stranger Fruit.
Everything Is Love relies too heavily on its star power to feel anywhere near as consequential as Lemonade or 4:44.
Still lacking a distinct voice as a singer and lyricist, Teyana Taylor is frequently outshined by her collaborators on K.T.S.E.
