333‘s ethereality may be roughly executed, but Bladee is onto something with this increasingly blissful direction.
Taylor Swift continues her upward artistic trajectory on folklore.
Better late than never, Logic is back to being a rapper worth rooting for on No Pressure.
Blu & Exile deliver a jazz rap album whose ambition and craftsmanship should go unmatched for some time.
Lianne La Havas’ self-titled album is fittingly her boldest yet.
Telas sounds like a collection of glitchy and electroacoustic leftovers—which, granted, mostly sound good—glued into quasi-longform pieces.
Oliver Tree’s debut album proves that, beyond the bowl cut and JNCO jeans, there lies serious musical potential.
Im Wald stretches Paysage d’Hiver’s most threadbare material to an arduous two hours.
The magical monthly segment where Anthony briefly touches down on a gauntlet of albums he didn’t get a chance to review this past month. These are just his short, straightforward, passionate, biased opinions.
While it’s hard not to respect MIKE’s emotional bareness, just about every other element of Weight of the World lacks impact.
