The Sailor is by turns impressive and disheveled in its combination of so many rap and pop music styles.
Even though Cordae wears some of his contemporary influences on his sleeve, The Lost Boy is a solid and promising debut album.
David Berman’s wryly depressive (or depressively wry) songwriting seems to have only gotten sharper during his decade away from music.
The magical monthly segment where Anthony briefly touches down on a gauntlet of albums he didn’t get a chance to review this past month. These are just his short, straightforward, passionate, biased opinions.
Flamboyant is a distillment of what has made bubblegum bass so interesting over the past few years, as well as an apt commentary on gender politics.
Benny is no doubt a capable rapper and lyricist, but he tends to be overshadowed by the guests on this new EP.
Caligula is an even more incredible journey to hell than its predecessor.
There are quite a few good ideas on Angel’s Pulse; unfortunately they aren’t fleshed out enough, nor do they reinforce one another.
K.R.I.T. Iz Here is a disappointing lapse into generic trap rap.
