art pop
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Fetch the Bolt Cutters has plenty of great ideas, but is sometimes betrayed by its raw presentation and quasi-experimental direction.
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Nicolas Jaar’s second album of 2020 is an evocative set of electroacoustic vignettes.
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Haru Nemuri’s latest mini-album takes her surprisingly harmonious fusion of art pop, J-rap, noise rock, and electronica to new heights.
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HMLTD refreshes and recontextualizes a slew of post-punk sounds on West of Eden.
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070 Shake’s debut album delivers a futuristic fusion of art pop and rap, but falls short on the songwriting front.
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In celebration of hitting 2 million subscribers, I’m finally answering the requests to do a re-review of Kanye West’s most celebrated album, My Beautiful Dark Twisted Fantasy.
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Generasian is a promising start to this adventurous new chapter of Lim Kim’s career.
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For all its impassioned vocal performances and effective updates on the forms of Kate Bush and Björk, Magdalene isn’t quite greater than the sum of its parts.
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It’s hard to deny just how sweet, cleanly produced, and fantastical the bulk of Pang is.
