anthony fantano
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On their latest album, the Black Keys stick to their guns, which is probably going to be a plus for hardcore fans. Unfortunately, seven albums in, it just feels a little formulaic, in my opinion. WATCH THE REVIEW
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Comet Gain doesn’t sound too unlike your average indie rock group, but they manage to lace their songs with some extremely memorable hooks and passionate vocals. Even though it’s nothing new, it’s difficult for me to deny. WATCH THE REVIEW
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On Oneohtrix Point Never’s latest album, producer Daniel Lopatin casually saunters into the field of sample-based music, and kicks total ass. WATCH THE REVIEW
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On this debut mini-LP from the Log.Os, this new project creates a spacey, futuristic link between soul, dowtempo, R&B, beat music, and electronica. WATCH THE REVIEW
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On a new, collaborative EP, Detroit hip hop artists Black Milk and Danny Brown team up and prove their city isn’t the only thing they have in common. WATCH THE REVIEW
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Tom Waits’ latest album, rather than showing a new side to the eccentric singer-songwriter, it somewhat of a retrospective, revisiting the numerous sounds that have made this guy so “bad” for all these years. WATCH THE REVIEW
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Texas’ Absu puts together an intense combination of black metal and thrash on its latest album, Abzu. WATCH THE REVIEW
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La Dispute’s Wildlife is a fantastic and rewarding gauntlet of emotional rock music. Even if post-hardcore isn’t in your comfort zone, this album is worth a shot. WATCH THE REVIEW
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BADBADNOTGOOD is a Canadian jazz trio, and the outfit’s latest self-release is a series of instrumental reinventions of classic hip hop beats. WATCH THE REVIEW
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Ah, the new Opeth record. Was I expecting to like this? No. Was I hoping I’d like this? Yes! A big, fat “yes,” actually. I’ve never been an Opeth fan. Their melodic and almost overproduced take on death metal–and progressive metal, generally–just doesn’t have anything
