alternative rock
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Omar Rodriguez Lopez and Cedric Bixler-Zavala are back with a new project: Antemasque.
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Once again, Spoon comes through with a solid, catchy, enjoyable rock record.
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https://soundcloud.com/joyful-noise-recordings/half-japanese-in-its-pull So much hype surrounding Half Japanese’s upcoming record Overjoyed – it’s their first full-length thing in 13 freaking years! It’s not so hard to see why all the excitement: the band’s DIY sound was groundbreaking throughout the 70s, 80s, and 90s and
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ANTEMASQUE by ANTEMASQUE The debut full-length from Antemasque is finally out! There’s been a lot of buzz building behind the album of this technically new band, but the project’s two lead members have pretty strong reputations in the world of rock music. Thanks to bands like At the
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Alternative rock outfit Cage the Elephant completely surprises me with a record of songs that have uniformly interesting production, energetic performances, memorable hooks, sharp melodies, and a pretty diverse array of instrumentation.
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After the incredibly textured and forward-thinking the Slip in ’08, Nine Inch Nails returns with a bit of a throwback on Hesitation Marks.
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Once again, a new Arctic Monkeys album is lost on me. While some may find the band’s easygoing rock instrumentation and singer-songwriter Alex Turner’s supposedly clever and humorous lyricism to be entertaining, AM is just another move closer toward making the most cold, calculated, and tame rock music
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With …Like Clockwork, Queens of The Stone Age pulls together their dreariest album yet, but don’t forget to deliver plenty of badass alt rock numbers in the process. WATCH THE REVIEW
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Over the past week or so, Queens of the Stone Age have been dropping a number of animated music videos featuring tracks from their next album, …Like Clockwork. “If I Had A Tail” is one of the heavier tracks to be released thus far, and it features a pretty bluesy
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Queens of the Stone Age finally drop a track from their forthcoming LP, …Like Clockwork, and I have to say I’m pretty surprised. The intro of the track actually had me expecting something Mars Volta-esque, but once the verse kicks in, Josh Homme and company kick into gear with
