alt-pop
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Laferte’s creativity throughout Autopoiética is enough to close the consistency gap.
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Songwriting still might be Oliver’s weakest link as an entertainer, but this new album is at least backloaded with bops.
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Sadboy pop with a computer-generated vibe.
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Austin‘s lyrical highpoints are diminished by gross production choices.
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Kesha’s least commercial-sounding but most mature album yet.
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What can I say, the Melanie Martinez boys outdid themselves this time.
