album
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Rina Sawayama comes to us as a near-fully formed popstar on her debut album.
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Even at its best, Blame It on Baby sounds like something DaBaby’s done before and better.
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What Song for Our Daughter lacks in experimentation it more than makes up for with its robust songwriting.
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Spirituality and Distortion might just be Igorrr’s most uncompromising album so far—for better or worse.
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More than just an oddity in The Strokes’ catalog, The New Abnormal is a return to form after the disappointing Comedown Machine.
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Four Tet’s increasingly ambient direction continues to dampen his appeal on Sixteen Oceans.
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Heaven to a Tortured Mind, a surreal celebration of soul, Britpop, and glam rock, has greater clarity and flourish than Yves Tumor’s previous work.
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Saint Cloud is an underwhelming take on indie country.
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Thundercat’s muddy mixes remain his Achilles’ heel on the otherwise enjoyable It Is What It Is.
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She Began To Cry Tears Of Blood Which Became Little Brick Houses When They Hit The Ground by Venetian Snares Breakcore veteran Aaron Funk, a.k.a. Venetian Snares, is back with a new album that’s been handed the hefty title of She Began to Cry Tears of Blood
