album
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Three decades into their career, Cannibal Corpse’s classic sound mostly remains intact and high impact.
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Apart from a sort of shaky first leg, La maquina is another solid release from Conway this year.
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Finally, the skankable version of NO DREAM we’ve all been waiting for.
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Young Thug and company are back with an even more bloated and inconsistent comp-like album.
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Spirit of the Beehive’s sonic mayhem makes up for some occasionally lackluster songwriting.
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Taylor’s version of Fearless is a respectable endeavor, even if it doesn’t sway opinions on the original album.
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Promises is a tasteful, spellbinding, and beautiful intersection of jazz, classical, and electronic music.
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The bland and scant musical ideas don’t support DEACON‘s emotional weight.
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At its best, Lei Line Eon‘s new direction exposes the nuances and beauty of Iglooghost’s production, but it’s not without its incongruities and growing pains.
