album
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TLOP5 is a step in the right direction, but Pi’erre still has a ways to go when it comes to song pacing and vocal performance.
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Sonically, Black Metal 2 tends to revisit its predecessor’s A-side, with even darker and terser results.
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Butterfly 3000 barely scratches the surface of its more synth-centric direction.
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The most creatively bankrupt thing to bear the Migos name thus far.
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Sweet Trip is mostly unaffected by the comeback curse on A Tiny House.
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Bladee continues honing his voice and lyricism on The Fool, his most accessible yet esoteric album to date.
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Despite being backed by some pretty unremarkable production, Lil Baby and Lil Durk bring out the best of each other on The Voice of the Heroes.
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The additional instrumentation doesn’t always do Jubilee favors, but rarely distracts from Michelle’s strengths as a lyricist and performer.
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Nearly every song on Blue Weekend comes across as an overblown pastiche of 90s alternative and indie rock.
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Whereas both volumes of Musas were different beasts, Un canto por México vol. 2 mostly feels supplementary.
