album
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Jane Remover presents some amazing ideas on Frailty, and hopefully clearer recordings in the future will allow them to shine even more.
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Apart from a few ill-conceived stylistic switch-ups, 30 is a classy and moving pop record.
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While the group’s return after four decades is admirable, there’s sadly something missing on Voyage.
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Garbology should be a treat for fans of this pair’s seminal work together.
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Taylor’s version of her pop crossover opus Red is pretty impressive in its attention to detail, and delivers a winning crop of previously unreleased songs.
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While Still Over It is kind of bloated, it shows quite a bit of growth from Summer Walker since her debut.
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Madison is one of the year’s most beautiful and enigmatic records.
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Dijon’s debut is a bit on the scant side, but still packs a lot of great ideas and performances.
