album
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On their latest LP, the Strokes want to head in a new direction, but they can’t decide on one. So they use every track to obtain a different sound. Moments like “Under Cover of Darkness” embrace what’s best about the band’s past work, but “Two Kinds of
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As much as it pains me to say this, there’s not much about this new Raekwon album that excites me. The beats attempt to copy the trademark RZA sound, the rhymes are decent at best, and the features are simply alright, too. It’s pretty obvious that this release
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Tim Hecker’s latest album is a barren wasteland of forgotten sounds. It’s music you can truly wander through. Some tracks do feel a little short of breath, sadly, but there are many more standouts here than there are duds. It’s another strong piece of material in the
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Weedeater’s new LP is a heavy piece of work. This album’s got a lot of rumble to it, but I’d say the sound here grinds your ear drums more than it shake’s ’em. The filthy distortion and Dave Collins’ trademark vocals make a great combo on
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No! No more oatmeal, Mom! WATCH THE REVIEW
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Six Organs of Admittance, a.k.a. guitarist and songwriter Ben Chasny, exists at a unique stylistic crossroads where acoustic folk and indie psych merge. After 2009’s sonically dense Luminous Night, Chasny has come back to a very comfortable, albeit creative place. Asleep On The Floodplain, his latest LP
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The Strokes have dropped a new video for “Under Cover of Darkness,” which I audio review’d the day it dropped. The band has also released a new song, “You’re So Right,” to keep the saliva coming for their forthcoming album, Angles. Check the, uh, cover: “You’re So
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Siriusmo’s debut LP is a bipolar exploration through the German electronica producer’s psyche. Not to say that he’s crazy, but his music is a little all over the place. This is because Siriusmo has absolutely no interest in appealing to one particular type of electronic music fan.
