album
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RI noise rock duo Lightning Bolt is back, continuing to prove they’re one of the most standout names in noise rock.
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While not as stuck in the past and weakly produced as Wilson’s last full-length, Hand. Cannot. Erase. displays a similar lack of excitement when it comes to rehashing ideas from classic progressive rock albums.
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Leviathan comes through with what’s surely to be one of the most dense, grand, experimental, and hellish black metal albums this year. I’m also talkin’ this album out with Dead End Hip Hop’s Myke C-Town.
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Boston rock outfit pile follows up their most popular record yet with a series of songs that sound somewhat unfocused and incoherently aggressive. Still the same band at their core, but they’re currently working with a slightly unflattering sound.
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One of New York’s most celebrated hip hop duos, Cannibal Ox, is back with their first album in over a decade!
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Despite plenty of cooking time and an endorsement from the one and only Nas, Fashawn’s long-awaited followup to 2009’s Boy Meets World doesn’t live up to expectations.
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Former Bomb the Music Industry! frontman Jeff Rosenstock releases an explosive and smart solo effort, pulling from pop punk and existential crises for inspiration.
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Baltimore producer and composer is working with his best mix yet, but isn’t delivering his greatest material to complement the new sonic improvements.
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Romania’s Negură Bunget returns with a new album, continuing to fuse folk music from their home country with the grim musical stylings of black metal.
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