Michigan Boy Boat falls short as a showcase for both Yachty and the Michigan talent he brought on board.
Three decades into their career, Cannibal Corpse’s classic sound mostly remains intact and high impact.
Apart from a sort of shaky first leg, La maquina is another solid release from Conway this year.
Finally, the skankable version of NO DREAM we’ve all been waiting for.
Young Thug and company are back with an even more bloated and inconsistent comp-like album.
Spirit of the Beehive’s sonic mayhem makes up for some occasionally lackluster songwriting.
Taylor’s version of Fearless is a respectable endeavor, even if it doesn’t sway opinions on the original album.
Promises is a tasteful, spellbinding, and beautiful intersection of jazz, classical, and electronic music.
The bland and scant musical ideas don’t support DEACON‘s emotional weight.
