After Hours is a fruitful reinvention of The Weeknd.
Purple Moonlight Pages is a thought-provoking self-portrait of the artist formerly known as Milo, as well as just a damn good jazz rap album.
While Machine Girl’s musical extremity remains admirable, the songwriting and mixing on U-Void Synthesizer fall flat.
Code Orange updates metalcore for the 2020s on their latest album.
LUV vs. the World 2‘s clearer, punchier production and quality features make it a slight improvement over the album it’s supplementing.
Megan’s foray into autotuned trap balladry on Suga‘s last few tracks is ultimately the EP’s downfall.
Everything Is Beautiful and Everything Sucks are solid testaments to both sides of Princess Nokia.
The impact of Loathe’s ferocious riffs is sometimes dampened by the band’s obvious points of influence.