While Still Over It is kind of bloated, it shows quite a bit of growth from Summer Walker since her debut.
Madison is one of the year’s most beautiful and enigmatic records.
Enough of the ideas TWOPOINTFIVE throws at the wall stick.
Dijon’s debut is a bit on the scant side, but still packs a lot of great ideas and performances.
The Path of the Clouds is easily Marissa Nadler’s most instrumentally dense solo project to date, which is mostly a blessing.
The War on Drugs’ heartland rock sound is more direct than ever on I Don’t Live Here Anymore, with Granduciel’s vocals and writing not always up to the task.
While a lot more impressive than the preceding Emperor of Sand, Hushed and Grim does buckle under its own weight.
Not as bad as the collaborations album, albeit not by much.
