There’s still room for Saba to grow as a distinctive artist, but Few Good Things is a promising step forward.
The narrative of Glitch Princess sometimes trumps its music, though there are several beautiful highlights on that front too.
Apart from a fair share of lyrical highlights, Laurel Hell doesn’t do much to write home about with its strains of pop music.
For the first time definitely wasn’t a fluke.
AnCo’s first album as a quartet in nearly a decade is a mostly lovely return to form.
Ustalost delivers black metal thrills with an oddly nostalgic atmosphere on this latest album.
What Marchita has in concision it also has in beauty and emotional potency.
Krallice’s most ambitious record since Years Past Matter.
A pretty lovely and promising debut for the pop singer-songwriter.
The Gods We Can Touch is certainly a listenable pop album, but its eccentricities mostly amount to window dressing.
