While just as well-produced as Modus vivendi and a bit denser, You Can’t Kill Me carries over the structural shortcomings.
Hot on the heels of a pretty inspired EP with Gesaffelstein, KayCyy’s new tape is disappointingly derivative.
Post’s candor is overshadowed by just how bad this album sounds.
Angel leaning more into a country sound goes over well, unsurprisingly. Big Time by Angel Olsen
It’s rare that a comeback rocks this hard. The Loser by Gospel
Real Bad Boldy is sounding more robust.
Un Verano‘s size doesn’t do it many favors, but it is Bad Bunny’s most versatile project so far.
A more focused effort than Rook’s previous solo drop, plus an equally intense companion of sorts to Black Dresses’ recent Forget Your Own Face. UGLY DEATH NO REDEMPTION ANGEL CURSE I LOVE YOU by Ada Rook
The band’s AI-aided 6th album is their most conceptual project to date, as well as their best since Get to Heaven. Raw Data Feel by Everything Everything
Not as creative as the producer’s 2019 mixtape, but not a bad effort either.
