Boldy James and The Alchemist’s second full-length collab in just over a year arguably outdoes Price of Tea.
Having flirted with heartland rock on their previous album, The Killers delve much deeper into the sound on the conceptual Pressure Machine.
Though its initially interesting aesthetic becomes samey and Trippie’s performances are hit-and-miss, Trip at Knight is his best project since his studio debut.
Lorde lacks the writing chops or perspective to follow through on Solar Power‘s themes and satire.
Infinite Granite finds Deafheaven eschewing the blackened aspect of their sound in favor of boilerplate shoegaze and post-rock.
As of now, Still Woozy’s take on alternative/bedroom pop is neither terrible nor particularly memorable.
As its title suggests, GUMBO’! is a viscous and dreamy homage to various strains of southern hip hop whose charm is undeniable.
Van Gogh’s Left Ear gets off to a very strong start before ZelooperZ’s risk-taking leads to some awkward spots.
For better or worse, $uicideboy$ stick to their guns on Long Term Effects.
Yola’s stunning writing and performances easily make up for Stand for Myself‘s general lack of novelty.