On their latest EP, Beach Fossils are shooting for stronger songs and better production. They even bring on the help of Wild Nothing’s Jack Tatum to bring one of the tracks to life. In my opinion, it’s improved the band’s sound greatly. Is this EP for you?
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On their fifth studio album DeVotchKa goes further down the road of simplification with their sound. The songs to come off as being more immediate and catchier, but I miss the whimsical instrumentation and international flavors that used to shine a little brighter in the music. We’re touching down
Six Organs of Admittance, a.k.a. guitarist and songwriter Ben Chasny, exists at a unique stylistic crossroads where acoustic folk and indie psych merge. After 2009’s sonically dense Luminous Night, Chasny has come back to a very comfortable, albeit creative place. Asleep On The Floodplain, his latest LP
Siriusmo’s debut LP is a bipolar exploration through the German electronica producer’s psyche. Not to say that he’s crazy, but his music is a little all over the place. This is because Siriusmo has absolutely no interest in appealing to one particular type of electronic music fan.
Yuck’s latest album is a fun embrace of the sound on classic albums from Dinosaur Jr., Yo La Tengo, Elliott Smith, and many more artists and bands considered “90s.” While this album is an alright place to visit, it’s hard to exactly describe where you are. That’s
Toro Y Moi’s latest LP is a noticeable improvement compared to the sketchbook of ideas that made up his last album, Causers of this. Underneath the Pine is loaded with light, pretty arrangements and dancey disco beats. The songwriting and vocals aren’t always standout, though. While the whole
Colin Stetson’s latest album redefines the saxophone in an avant-garde context. His drones, motifs, and highly technical sax runs are undeniably gripping and beautiful. Not every piece here may sound completely fleshed out, but the technical ability shown throughout the album is more than enough to distract from that
Radiohead’s latest LP is a fan-pleasing piece of work. It’s loaded with beautiful and well-recorded sounds, and even Thom Yorke’s songwriting shows some muscle with moments like “Lotus Flower” and “Separator.” But there’s something that clicks away and eats away at the first half of this
Nicolas Jaar’s debut LP is a dark exercise in bleak dance beats, sound collages, and ambient interludes. Though the album doesn’t come off with a clear intent, Space Is Only Noise makes for a really heady and beautiful listen. What makes this album attractive isn’t exactly obvious
