On Parallax, Deerhunter member Bradford Cox pulls together one of his most cohesive solo releases yet. And strangely, his sound is starting to resemble the output of his main band’s. WATCH THE REVIEW
Awesome! Another audio review where I’m accompanied by my good friend Derek. He’s the best. Number one! Anyway, in the last episode of this series, we were talking about some friggin’ death metal. That’s all well and good, but you can’t be listening to extreme stuff
On My Brightest Diamond’s newest album, singer-songwriter Shara Worden releases another set of heavily orchestrated art pop tunes. This time, many of the lyrical themes revolve heavily around relationships. WATCH THE REVIEW
Together, Lou Reed and Metallica come up with an album that, well, isn’t as terrible as everyone assumed it would be. In my opinion, anyway. WATCH THE REVIEW
On its debut EP, this UK outfit finds a way to translate flashy musicianship into a filthy, disturbing reinterpretation of technical death metal. Oh, there’s a bit of grindcore in here, too. WATCH THE REVIEW
On a new, collaborative EP, Detroit hip hop artists Black Milk and Danny Brown team up and prove their city isn’t the only thing they have in common. WATCH THE REVIEW
On the sophomore Justice album, this French house duo starts emulating its influences–70s rock, pop, disco–with a mix of different results. WATCH THE REVIEW
On the Field’s latest album, it’s business as usual for this Swedish minimal techno producer, which isn’t necessarily a bad thing. WATCH THE REVIEW
Tom Waits’ latest album, rather than showing a new side to the eccentric singer-songwriter, it somewhat of a retrospective, revisiting the numerous sounds that have made this guy so “bad” for all these years. WATCH THE REVIEW
On M83’s latest album, indie dance and synth pop sounds are pumped up and glossed out until they reach almost unrealistic proportions. Not only that, but these ideas are stretched out to a double album length. WATCH THE REVIEW
