A hilarious video concept from Craft Spells on the track “Your Tomb,” which comes from the band’s latest album Idle Labor. Find a review of it here, and grab a copy on Captured Tracks. /via/
Ah, the new Opeth record. Was I expecting to like this? No. Was I hoping I’d like this? Yes! A big, fat “yes,” actually. I’ve never been an Opeth fan. Their melodic and almost overproduced take on death metal–and progressive metal, generally–just doesn’t have anything
If you love cute rock tunes with a dismal outlook on life, Veronica Falls might be the band for you. Their latest LP is simple, immediate, and catchy. I know it’s easy to get down on something that sounds so easy to execute, but the energy and moody aesthetic
Das Racist’s Relax is a bit of a letdown for me. I just didn’t enjoy it as much as the tapes. There are plenty of tracks here where the guys are their usual, hilarious selves. However, some of the funnier tracks lack the focus that make songs such
Sad to say, I’m not big on this new Neon Indian album. I’d like to think that it’s not because of the hype that was built around the project’s last album, Psychic Chasms, but I’m afraid that might be a possibility. I don’t think
On St. VIncent’s latest album, singer-songwriter Annie Clark comes together with some pretty bold and experimental flavors.I wouldn’t be surprised if fans found this to be a stranger record than 2009’s Actor. But while many moments on Strange Mercy are, uh, strange, I found this record
On some level, I consider myself a fan of Wolves In the Throne Room: the Olympia, Washington black metal outfit. If I wasn’t, I don’t think I would have followed their exploits up until this point. I don’t see myself quitting, but I wasn’t as into
The Men’s latest album, Leave Home, has some pretty abrasive, heavy, and eye-widening production on it. This straight-to-tape recording features some great guitar distortion: and the total package is so thick and saturated, it makes this album an extremely heavy and overbearing experience. Another breath of fresh air here
I didn’t find Girls’ sophomore LP to be as instantaneous, well-produced, or fun as the California band’s debut, but there’s still a great set of tracks here–not to mention a load of ambition in the extra instrumentation. I totally respect the fact that these guys have
The Drums’ sophomore release, Portamento, was an album I was pretty excited for. The group’s self-titled debut contained some of my favorite singles of last year, and I was hoping the same would happen with this release. Maybe my love of the last album lead to some unrealistic expectations,