While this track off Milo’s latest mixtape features the same raw and humble characteristics the Wisconsin rapper’s previous efforts, the lyrics here expose private moments in a way that just leaves me with a pile of awkward feelings. WATCH THE REVIEW
Though it runs out of ideas a little too fast, Pallbearer’s debut album turns out to be a solid contribution to the world of traditional doom metal. WATCH THE REVIEW
Sleigh Bells’ latest album features a high-fidelity recording quality that makes its sound much more palatable than the music on the duo’s debut album, Treats. But beyond that, the band hasn’t changed its tune all that much. WATCH THE REVIEW
On the new Goatwhore album–it’s the fifth in the band’s discography–the New Orleans outfit delivers a tighter, catchier style of its usual blend of thrash, black metal, and death metal. WATCH THE REVIEW
On the sophomore effort of the indie pop band Tennis, the production and singing is noticeably better. If you dig your pop simple, then it’s worth a listen. WATCH THE REVIEW
The elusive London-based electronica producer, Burial, drops a stellar set of new tracks on his latest EP. WATCH THE REVIEW
Though the second installment of Angels of Darkness, Demons of light fixes some of the issues I had with the first, I can’t seem to shake this incredibly strong feeling of musical deja vu. WATCH THE REVIEW
On the new Lapalux EP, there’s a lot of creativity to go around. Despite a lack of focus, the beats here are loaded with a bounty of different sounds and textures. WATCH THE REVIEW
On her latest album, Brooklyn singer-songwriter Sharon Van Etten brings her fantastic voice to a higher level of production. WATCH THE REVIEW
On his latest EP of new material, Shlohmo heads in the direction of future garage, and maintains the modest and moody sounds that his music usually promotes. WATCH THE REVIEW
