On a new, collaborative EP, Detroit hip hop artists Black Milk and Danny Brown team up and prove their city isn’t the only thing they have in common. WATCH THE REVIEW
On the sophomore Justice album, this French house duo starts emulating its influences–70s rock, pop, disco–with a mix of different results. WATCH THE REVIEW
On the Field’s latest album, it’s business as usual for this Swedish minimal techno producer, which isn’t necessarily a bad thing. WATCH THE REVIEW
Tom Waits’ latest album, rather than showing a new side to the eccentric singer-songwriter, it somewhat of a retrospective, revisiting the numerous sounds that have made this guy so “bad” for all these years. WATCH THE REVIEW
On M83’s latest album, indie dance and synth pop sounds are pumped up and glossed out until they reach almost unrealistic proportions. Not only that, but these ideas are stretched out to a double album length. WATCH THE REVIEW
Texas’ Absu puts together an intense combination of black metal and thrash on its latest album, Abzu. WATCH THE REVIEW
Being an “iPad album,” the new Björk LP feels like a bit of a soundtrack. Am I surprised? No. But I was happy to find there was a good handful of gorgeous tracks placed on this thing. WATCH THE REVIEW
On Civil Civic’s debut album, the duo has backed up its past singles with new material, and made a move to revamp drum machine rock. WATCH THE REVIEW
Hello, my Needle Drops. Wow, that looks weird typed to me. Well, let’s move on. Track review time. ‘Nother text one. Hey, when y’all read this, do you hear it in your heads as my voice? Weird, right? Right now, we’re focusing on a track from a
Hey, everybody. Trying out this text thing for a quick second so I can get it together and talk about a few records that sorta fell by the wayside for me. In this post, I’d like to talk up the new Phonte album a little bit. The title of
