The new Red Horse album is a little front-loaded, but it still showcases some pretty intriguing noise and free improvisational sounds. WATCH THE REVIEW
On Yelawolf’s latest album, the Alabama rapper makes his Shady Records debut with a commercial release whose results are a bit mixed. WATCH THE REVIEW
The Spits’ latest self-titled release continues to slowly develop the band’s distorted, grimy take on the art of punk rock. WATCH THE REIVEW
On this debut mini-LP from the Log.Os, this new project creates a spacey, futuristic link between soul, dowtempo, R&B, beat music, and electronica. WATCH THE REVIEW
Vektor’s latest album continues further down the road the Arizona band set for itself on 2009’s Black Future. It’s certainly a more dynamic and melodic release, but I was ultimately hoping for a stronger difference between this album and its predecessor. Still, these tunes embrace Vektor’s
The Needle Drop: “Serving up audio reviews like they’re pizza slices or something.” Eh, that’s a really terrible slogan we’re beta testing right now. Let it seep in. See what happens. Anyway, my friend Derek and I have another review for you this week, and we’re
After a series of mixtapes I casually enjoyed, Mac Miller’s sound gets sweeter on his full-length debut, Blue Slide Park. WATCH THE REVIEW
While Wale’s latest album doesn’t feature anything terrible on its hour of material, I couldn’t help but feel a little underwhelmed. WATCH THE REVIEW
Though King Krule’s debut EP is kind of undercooked, some of the tracks and ideas here are pretty stunning. Can’t wait to see what this UK singer-songwriter brings in 2012. WATCH THE REVIEW
Aside from a few new sounds, Crystal Stilts really hasn’t progressed its sound past In Love With Oblivion. But for fans, that may not necessarily be a bad thing. WATCH THE REVIEW
