Electronic music producer Four Tet assembles the 12″ house singles he’s been sporadically releasing throughout the year, and places ’em on this new compilation, Pink. WATCH THE REVIEW
On their first album for Shady Records, hip hop supergroup incorporates a disappointing amount of commercialized beats and hooks, which really kills what little lyrical chemistry these guys have going for them. WATCH THE REVIEW
Swans return to their freaky, challenging, twisted selves on this new new album, the Seer. WATCH THE REVIEW
California death metal outfit the Faceless move in a slightly softer direction on their their album, including plenty of melodic guitar passages and cleanly sung vocals. WATCH THE REVIEW
On Matthew Dear’s fifth full-length album, the singer-producer improves his grooves and lyrics while making his definitive, dark-as-hell sound a bit more colorful than usual. WATCH THE REVIEW
Bloc Party returns after a self-imposed hiatus with a true blue rock album. WATCH THE REVIEW
Improving on the project’s debut in 2010, Gemini, Jack Tatum’s Wild Nothing presents a group of dreamy, well-written, and catchy songs on its sophomore release. WATCH THE REVIEW
On her full-length debut, UK singer-songwriter Jessie Ware brings a somewhat modern approach to embracing the kinds of contemporary R&B sounds that were pretty hot in the 80s. WATCH THE REVIEW
On this debut full-length Eprom explores some interesting musical ideas, bringing together the sounds of glitch hop, future garage, dubstep, and more. Frankly, there’s not much the guy doesn’t try out between these three tracks. But what kinda pulls them all together is that he maintains a certain
