Dirty Projectors are sounding like a slighty more toned down version of their usual selves on this new album. While it’s certainly not a bad LP, it’s not really entertaining me on the same level their previous material has. WATCH THE REVIEW
Rush fans are pretty psyched about this new album, and I could see why. Clockwork Angels is definitely the best record the band has put out since 2000, but I’m not sure if, personally, it entertains as much as the group’s classics. WATCH THE REVIEW
Despite his extremely so-so lyrics, Miami rapper Spaceghostpurrp is at least worth checking out because of his dark, moody sound. WATCH THE REVIEW
With some new and improved production, Deathspell Omega’s ultra-dense approach to progressive metal is sounding more brutal than ever. WATCH THE REVIEW
Still sweet, still catchy, still Hot Chip. WATCH THE REVIEW
While Old Man Gloom brings an interesting blend of ambient music and sludge metal, one side of the sound ends up feeling more interesting than the other. WATCH THE REVIEW
With two new releases in 2012, garage rock revivalist Ty Segall has pushed himself to the forefront of this rough and wild style of music. WATCH THE REVIEW
Though not his boldest or most memorable statement yet, hip hop eccentric Open Mike Eagle certainly delivers something glitchy, colorful, and consistent on 4NML HSPTL. WATCH THE REVIEW
With new sound thanks to some modern production and a new lineup, the Smashing Pumpkins sound exactly the way they should in 2012. WATCH THE REVIEW
Album after album, Ontario band Metric hones an incredibly polished approach to rock music. WATCH THE REVIEW
